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Writers Store

1 "Begin This Way", says The End
2 'The Character Writes for You' Cliché
3 Action Films: King of the One-Liners
4 Always Be Ready to Pitch
5 Apply the Why: Your Story Epoxy
6 Are You Not Entertained?
7 Assign a Role: Don't Roll Over
8 Bad Writing Can Be a Good Teacher
9 Be the Mole: Indirect Observation
10 Biopics: Four Key Ingredients
11 Bones: Screenplay Skeletons
12 Breaking "Free" Into Hollywood
13 Center Stage:Directing for Actors
14 Character + Want + Conflict = Story
15 Character Arc: Growth vs. Change
16 Character Files: No One Is Safe
17 Character Flaws: Better Conflict
18 Character Roots: Armchair Psychology
19 Character: The Entire Iceberg
20 Character: The Grocery Store Effect
21 Character: There's a lot in a Name
22 Comedy: Funny Is What Funny Does
23 Conflict: Attack! Go for the Jugular!
24 Creating Characters: Use the Family
25 Creating Cinematic Characters
26 Creating Heroes We Hope and Pray For
27 Creating Unforgettable Characters
28 Dialogue: Writing Dialects and Accents
29 Don't Try To Get A Job – Make One!
30 Embrace the Hollywood Box
31 Enlightenment: Going to the Movies
32 Exercise: Elixir of Body and Mind
33 Exposition needs an Occupation
34 Exposition: A Little Crazy Goes A Long Way
35 Face Off: The Hero's Nemesis
36 Feedback: Ten or Twelve Pints
37 Fight! Exposition Through Conflict
38 Film Genres: Meet The Expectations
39 Film is Visual: Show, Don't Tell!
40 Film Mentors: The Obi-Wan Effect
41 Film School, What Now?
42 Finding the Magic Within
43 First 10 Pages: 5 Major Rules
44 Fixing "The Problem" In Your Script
45 Funeral and Bathroom Interludes
46 Grammar: Your Ace In the Hole
47 Grit: 10 Years for Overnight Success
48 Happily Ever After: Yeah, Right!
49 High Concept: King of the Jungle
50 How Do I Become a Screenwriter?
51 How Do I Sell My Script?
52 How NOT to write a screenplay
53 How to Be a Writer: Just Do It
54 How To Get An Agent
55 How To Make Your Script a Page-Turner
56 How to Pitch Your Movie
57 How to Watch a Movie: Part 1
58 How to Watch a Movie: Part 2
59 How to Watch a Movie: Part 3
60 How to Watch a Movie: Part 4
61 How To Write A Logline
62 How to write a screenplay
63 How to Write the Perfect Outline
64 Ideas: Your Ace In the Hole
65 Know Your Audience or Die!
66 Leave It Hanging... To Begin Again
67 Love Hurts: But It's Worth Fighting For
68 Make Us See It: Writing With Personality
69 Meetings: Surviving "The Room"
70 Men vs. Women: Communication Breakdowns
71 More White Space, Faster Read
72 Multiple Stories in One Script
73 Music as Muse: Mozart or Metallica
74 Navigating Obstacles: Plot Point Power
75 Networking: Hollywood Gold
76 Never Give Up! Don't Be Stupid
77 Nuts & Bolts: Screenplay Culminations
78 Outlining: How Much Is Too Much
79 Planting And Payoff: Your Secret Weapon
80 Plot Points: Watch the Clock
81 Present Tense or Die!
82 Pulp Fiction Killed Film School
83 Raise the Stakes: Crank It Up!
84 Reveal the Tip, Know the Iceberg
85 Rising Action: Act Two Woes
86 Rules Are Made to be Broken... Eventually
87 Safeguard Your Writing Time
88 Salvation: The Writer's Schedule
89 Same Old Story, Small New World
90 Scene Objectives: Dynamic Duo
91 Scenes: Start Late, Get Out Early
92 Screenplay Evolution: Story or Character
93 Screenwriting 101: It's Not Gonzo
94 Screenwriting Files: Get Organized
95 Screenwriting is a Decathalon
96 Screenwriting: Art vs. Trade
97 Screenwriting: It's Complicated
98 Script Inception: Story or Character
99 Script Logic: Probable vs Possible
100 Script Polarity: Opposites Attract
101 Script Readings: Listen and Learn
102 Script Theme: To Be or Not To Be
103 Scriptonomics
104 Sequence 1: Get it Right or Bust
105 Sequence 2: The Lock In
106 Sequence 3: Raising the Stakes
107 Sequence 4: The First Culmination
108 Sequence 5: Subplot Savior
109 Sequence 6: Main Culmination
110 Sequence 7: New Tension & Twist
111 Sequence 8: Final Resolution
112 Sequences: A Writer's Best Friend
113 Simple Truth: Write What You Know
114 So You Want To Be A Screenwriter?
115 Story: How Much Is Too Much?
116 Story: The Whole Nine Yards
117 Stuck in Your Screenplay
118 Subtext: The Underlying Truth
119 Success Through Failure
120 Surviving Story Structure
121 The Actor / Director Relationship
122 The Art of Now: Living the Moment
123 The Bruckheimer Blueprint
124 The Character Driven Story
125 The Conversation: Script Discourse
126 The Dark Side: Fighting The Shadow
127 The Devil is in the Details
128 The Feedback Follow-Through
129 The First Draft: NASCAR Speed
130 The Hero's Idol: Sight vs. Insight
131 The Hero's Objective: Three Keys
132 The Mechanics of Screenwriting
133 The Screenwriter as Benign Dictator
134 The Secret To Screenwriting Success
135 The Sequence: ABC's and 123's
136 The Three C's - The Writer's Trinity
137 The Three I's of Screenwriting
138 The Voice Over Value
139 There's a Movie for Everybody
140 To Be or Not To Be... A Writer
141 Understanding the Midpoint Mirror
142 Understanding Your Audience
143 Visual Scripts: Show! Don't Tell
144 Voice-Over: Beware!
145 Welcome to the Real World
146 What's in a Title: Everything!
147 Word Choice Wisdom
148 Write Dialogue, Forget Real Talk
149 Writer's Block: The Big Fat Lie
150 Writer's Group: Your Script Family
151 Writer's Letter: Your Secret Weapon
152 Writer's Voice: Scent, Soul, Core
153 Writing Believable Action
154 Writing From Within
155 Writing from your Unconscious
156 Writing IS Looking Out the Window
157 Writing IS Thinking
158 Writing Never Takes a Day Off
159 Writing Out Of Your Realm
160 Writing Partnerships: Feed the Fire
161 Writing the "Not So Smart" Smart Film
162 Writing the Smart Short Film
163 Writing With a Full Plate
164 Writing: Goals vs. Objectives
165 Wrong Form, Right Trash
166 You Are What You Write
167 You Wrote It, But Who Reads It?
168 You're the Writer, Not the Director
169 Your Character's Imaginary Center
170 Your Fab Five: Plot Point Moments
171 Your Hero's Journey: Know the End!
172 Your Protagonist: Three Keys
173 Your Screenplay is Not Your Baby
174 Your Script Is Your Calling Card
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Character: There's a lot in a Name

Screenwriting Script Tips
“My name is Inigo Montoya. You killed my father. Prepare to die.” This line, brilliantly delivered by Mandy Patinkin as he engages in the climatic duel against Count Tyrone Rugen (Christopher Guest) in Rob Reiner’s The Princess Bride, is one of my all time favorites, but what makes the line so great is not that it’s delivered five times during the lethal swordfight, not the revelation of a murderous tragedy in Inigo’s past, nor is it Inigo’s declaration of the demise of the evil Count. What makes the line so memorable is simply the inclusion of a name: Inigo Montoya.…

Five Plot Point Breakdowns

Exposition: Five Rules

Screenwriting Dialogue
Exposition is necessary as an aid to the understanding of the facts from which the story action departs. It is not a part of the dramatic story but simply an explanation to the audience.

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