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Apocalypse Now (1979)




Screenplay Genre: Drama / War

Movie Time: 194 minutes

1. INCITING INCIDENT

Cpt. Benjamin Willard (Martin Sheen), returns to Vietnam for his second tour and waits for his new mission in Saigon. Willard is finally called upon and given a top-secret mission to seek out Col. Walter E. Kurtz (Marlon Brando), who has gathered around him a tribe of indigenous Cambodian warriors who worship and fight for Kurtz in his own war fought entirely without U.S. military approval, and is told to “terminate the colonel’s command with extreme prejudice.” (0:17:38)

2. LOCK IN (End of Act One)

Willard rendezvous with the boat and the crew that will take him up river to Kurtz, and also with the Air Cavalry, commanded by Lieutenant Col. Bill Kilgore (Robert DuVall). Willard and the boat’s crew watch as Kilgore’s cavalry decimates a small Vietnamese village within a matter of minutes, destroyed only for the sole purpose of allowing one of the boat’s crew members, Lance B. Johnson (Sam Bottoms), an opportunity to surf some of the best waves in Vietnam. However; Willard, Lance and the rest of the crew escape from Kilgore’s madness, and begin their journey up the river and toward Kurtz. (0:49:40)

3. FIRST CULMINATION (Midpoint)

Willard’s mission leads the crew to the final American outpost on the river; a precariously built bridge where Lieutenant Carlsen (Glenn Walken) waits to deliver the final dossier for Willard’s mission. Willard and Lance get off the boat to have a look around. On their walk, it becomes increasingly clear that no one is in charge of this outpost; every night Charlie blows up the bridge, the U.S. military rebuilds it just to say “the road is open.” Chief Phillips (Albert Hall), the boat’s captain, asks Willard once more which way to go, and they all continue further up the river. (1:44:11)

4. MAIN CULMINATION (End of Act Two)

Finally, Willard explains his mission to the only two remaining crew members of the boat; Lance and Jay ‘Chef’ Hicks (Frederic Forrest), and the very next day they arrive at their destination. They are greeted by the village natives, painted white, and a neurotic Photojournalist (Dennis Hopper). It doesn’t take long before Willard is dragged through the mud by the villagers and taken before Kurtz to explain his mission. (2:31:22)

5. THIRD ACT TWIST

The longer Willard is held in Kurtz’ camp, the more uncertain he becomes of the ethics behind his mission to assassinate Kurtz, until finally it is Kurtz himself who convinces Willard what to do. So, while the villagers undergo a sacrificial dance and ceremony, Willard seeks out Kurtz in order to terminate his command. (2:58:28)

Make Us See It: Writing With Personality

Screenwriting Script Tips
Okay, so you’ve written a screenplay. It’s clear and concise, it flows well, it's easy on the reader - which is no small feat - but it's almost too clinical because it’s lacking any style. You tell your reader things are happening visually, but you fail to engage us – to MAKE US SEE IT. And when I say that, I’m not just talking about the visual elements of a particular scene in your script. It’s more than that. It’s voice: style, word choice, rhythm, even the occasional tinge of sarcasm, etc. Simply put, voice is flavor, and often, a technically sound script can still…

Drama

Screenplay Genre
Drama film is a genre that relies on the emotional and relational development of realistic characters. While Drama film relies heavily on this kind of development, dramatic themes play a large role in the plot as well. Often, these dramatic themes are taken from intense, real life issues. Whether heroes or heroines are facing a conflict from the outside or a conflict within themselves, Drama film aims to tell an honest story of human struggles.
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