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Bridesmaids (2011)




Screenplay Genre: Comedy

Movie Time: 125 Minutes

INCITING INCIDENT

Annie’s (Kristin Wiig) life-long best friend Lillian (Maya Rudolph) reveals to her that she’s engaged and she wants Annie to be her Maid of Honor. (00:12:38)

LOCK IN (End of Act One)

At the upscale engagement party, penniless Annie has a microphone duel with wealthy scorned Maid of Honor Helen (Rose Byrne) and establishes a rivalry.  (00:28:02)

FIRST CULMINATION (Midpoint)

After a disappointing night at Ted’s house, Annie runs into Officer Rhodes at a convenience store. Without Lillian around to talk about all her issues, she opens up to Officer Nathan Rhodes (Chris O’Dowd) about all of her problems and a romance begins to blossom. (00:54:20)

MAIN CULMINATION (End of Act One)

Annie arrives at Helen’s bridal shower and realizes Helen stole her Parisian theme. After Annie gives Lillian a well thought out, hand selected, personal gift; Lillian upstages Annie and gives Lillian an expensive trip to Paris to be fitted for her wedding gown with one of the world’s top designers. Annie throws a tantrum and destroys the Bridal Shower and Lillian disinvites Annie from the wedding. (01:28:12)

THIRD ACT TWIST

Helen shows up and tells Annie that Lillian has gone missing. While searching for Lillian, Helen breaks down crying and reveals that she was jealous of Annie. Annie discovers that Helen is actually pretty nice once you get to know her, as Lillian had suggested. Together they locate Lillian. (01:48:14)

Sequence 5: Subplot Savior

Screenwriting Script Tips
It sucks being the middle child. Many experts agree that the middle child is lost, out of place, or loses direction. When you begin sequence five, you most likely will relate. This, in many respects, is the hardest sequence to write, and the infamous SECOND ACT SAG can set in if you don’t have a strong SUBPLOT to take the ball for a while. The subplot should have been set up earlier, so go back to it now – and use it at full throttle. And since we’re not ready for the main culmination yet, it’s necessary to create a new circumstance where your main character(s) must…

Endings and Beginnings

Screenwriting The Outline
How do you begin when there are so many different ways to do it, and each way can lead you down dozens of different roads? Answer: KNOW YOUR ENDING. Let the ending dictate the right beginning. If you know that your hero finds the treasure, beats the bad guy, and gets the girl in the end, it makes sense for him to have none of that in the beginning. He should be down on his luck, alone, and beaten. Think of Indiana Jones in ‘Raiders of the Lost Ark’. In the film’s opening sequence, Indy is all alone somewhere deep in a Peruvian jungle, facing eminent death by the hands…
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