Sort By Alphabet

all - 0 - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 -
A - B - C - D - E - F - G - H - I - J - K - L - M - N - O - P - Q - R - S - T - U - V - W - X - Y - Z -

Kick-Ass (2010)




Screenplay Genre: Action / Crime / Thriller

Movie Time: 117 minutes

1. INCITING INCIDENT

Wearing his internet ordered superhero suit, geeky Dave Lizewski comes across two thugs breaking into a car and tries to stop them, but in his first crime fighting confrontation, Dave ends up getting stabbed in the stomach and hit by a car. (00:15:54)

2. LOCK IN (End of Act One)

Still determined to be a superhero, Dave is at it again, but this time – while searching for a lost cat – he fights off three attackers who are beating on a defenseless man in front of a diner. Some patrons record the fight and post it on YouTube, propelling Dave's alter superhero ego, Kick Ass, into an internet phenom. (00:29:32)

3. FIRST CULMINATION (Midpoint)

Bad guy Frank D-Amico allows his son, Chris, to don the identity of a superhero called Red Mist so that Chris can infiltrate the secret world of superheroes. When the two crime fighters meet, Red Mist asks to be Kick Ass's sidekick. Impressed, Kick Ass agrees, unaware Red Mist is leading him into an ambush. (00:59:35)

4. MAIN CULMINATION (End of Act Two)

The TV broadcasts show a live countdown for the Kick Ass unmasking, but when the countdown expires, we see Big Daddy and Kick Ass handcuffed to chairs, beaten, and about to be burned alive... until Hit Girl arrives to save them. She kills all D-Amico's henchmen, but Big Daddy dies from his burns. Kick Ass survives. (1:30:21)

5. THIRD ACT TWIST

During the final battle after Hit Girl has killed most of D-Amico's remaining men, she has run out of bullets and is facing eminent doom as a thug aims a bazooka at her, but then... Kick Ass arrives outside D-Amico's penthouse in a jet rocket pack equipped with two gatling guns, and he wipes out the remaining thugs. (1:42:57)

Your Fab Five: Plot Point Moments

Screenwriting Script Tips
A screenplay is built through scenes, sequences, acts, using tension, conflict and obstacles, while eliciting hopes and fears, but the most basic template for structuring a script is to build it around the five major plot points of a film: (1) The Inciting Incident, which is the first premonition of the circumstance that will create the main tension for the protagonist. (2) The Lock-In, which occurs at end of Act One and locks the protagonist into the predicament, propelling him/her into a new direction and into the main tension of Act Two. (3) The First Culmination…

Sequences: Two Principles

Screenwriting The Sequence
There is a lot to say about sequences, but the two most important things to remember about sequences are: 1. They are the screenwriters best friend. They are small and self-contained enough that they can be kept in mind all at one time (unlike the entire feature, 90 to 120 pages), can be written in one burst of energy and can be shaped and honed independent of each other. 2. They must absolutely have a clearly defined tension in order to have shape. By shape I mean that the audience starts to take a vested interest in one or another turn of events in the near future…
Copyright © 2012 The Script Lab LLC - Help  |  PR Media Kit  |  Advertise  |   Site Map  |  Jobs at The Script Lab
Terms of Service and Privacy Policy / Safety Information / California Privacy Rights are applicable to you. All rights reserved.