Genre Introduction




The action world is full of memorable one-liners. Gangster films have sinister mobsters and ruthless hoodlums. Dramas are all about serious realism while screwball comedies can get away with fart jokes.  Adventure films have exotic locales, but if you’re writing a western, you better have dusty towns and six-shooters. Science fiction scores with aliens and futuristic technology. And when it comes to slasher films, don’t hold back – the audience is actually rooting for the killer.

Understanding film genres (and sub-genres) is important, because let’s be honest: people rarely go to the movies to be surprised.  They know the action hero will survive, that the girl will get the guy, and the villains their just deserts. Nobody goes to a rom-com to face reality.

The truth is that love is hell and sometimes the bad guys win, but in the movies, love is a holy elixir and the hero always saves the day. Screenwriting is not about reinventing the wheel. The key to writing a sellable script is to understand the genre and meet the expectations of its audience.


Action: Action-Comedy, Disaster Film, Girls with Guns, War

Adventure: Swashbuckler

Animated: Anime, Adult, Children, Family, Musical

Children: Animal, Animated, Musical

Comedy: Anarchic, Action, Black (Dark), Horror, Dramedy, Pardody/Spoof, Rom-Com, Slapstick

Crime: Mob/Gangsters, Film Noir, Neo-Noir, Crime-Thriller

Drama: Biography, Courtroom, Dramady, Historical, Melodrama, Period Piece, Political, Romance, Tragedy

Epic: Bio-Pic, Historical, War, Religious

Family: Animated, Comedy, Musical

Fantasy:Bangsian, High-Fantasy, Sword and Sorcery

Horror: Comedy, Teen, Monster, Slasher, Supernatural, Zombie

Musical: Animated, Broadway, Family

Mystery/Suspense: Closed-Mystery, Film-Noir, Open-Mystery

Romance: Romantic Comedy, Romantic Drama

Science Fiction: Alien, Apocalyptic, Dystopian, Monsters and Mutants, Time Travel

Sports: Bio-Pic, Comedy, Drama, Family

Supernatural: Comedy, Horror, Religious, Thriller

Thriller: Action, Crime, Film-Noir, Psychological, Sci-Fi, Religious

Western: Contemporary, Revisionist, Spaghetti

Creating Characters: Use the Family

Screenwriting Script Tips
My uncle spent two years in a Texas penitentiary for stealing a cab with a butter knife, driving it to a whorehouse, only to get pulled over later for a DUI. When he was in prison and someone asked him what he was in for, he would just say, “I gave crime a bad name.” This is a true story. The same guy lived in a motel room for twenty years because it had a view, once asked his mother in the middle of Thanksgiving dinner if she arrived on a spaceship, and counseled me on the dangers of drugs, yet had a heart attack – TWICE – from snorting cocaine. I love my uncle, and…

Sequences: Two Principles

Screenwriting The Sequence
There is a lot to say about sequences, but the two most important things to remember about sequences are: 1. They are the screenwriters best friend. They are small and self-contained enough that they can be kept in mind all at one time (unlike the entire feature, 90 to 120 pages), can be written in one burst of energy and can be shaped and honed independent of each other. 2. They must absolutely have a clearly defined tension in order to have shape. By shape I mean that the audience starts to take a vested interest in one or another turn of events in the near future…
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