Action and Activity




On one hand, the term action is used to describe the main story of a script - meaning a sequence of events leading to a definite outcome. On the other, it means an exertion of energy, an effort to achieve some objective, involving the character’s thought, emotion and will. In other words, action implies a purposeful pursuit of an objective.
And the bulk of the screenplay is the description of the actions and activities of the characters. The effective screenwriter thinks of the actions of the characters and how they should be seen by the audience. This is the heart of dramatic writing.

On one hand, the term action is used to describe the main story of a script - meaning a sequence of events leading to a definite outcome. On the other, it means an exertion of energy, an effort to achieve some objective, involving the character’s thought, emotion, and will. In other words, action implies a purposeful pursuit of an objective.

And the bulk of the screenplay is the description of the actions and activities of the characters. The effective screenwriter thinks of the actions of the characters and how they should be seen by the audience. This is the heart of dramatic writing.

Action reveals character. It’s not so much what a character says; it’s what a character does that is important. The old adage “actions speak louder than words” is the general truth. What matters is not what happens; it is how the character reacts to what is happening.

You must get into the inner lives of your characters - their joys, torments, secret desires and aspirations, hidden fears. It is the juxtaposition of dialogue and action, very often mismatched, that gives us our clearest picture of the inner world of a character.

Apply the Why: Your Story Epoxy

Screenwriting Script Tips
Always ask yourself “The Why”: why does your hero ask to be in the story? Because then you begin to find out why you want to write the whole story, and what the passion of that character is, and why she wants what she wants. Eventually you reach the moment where you can dream for your character, where you can remember everything that occurred in her past. When that happens, you’re safe because the character finds her way towards the resolution. At this point, the problem is how to hit your character in her most vulnerable spot: put her in the worst predicament…

Mean Girls (2004)

Screenplay Five Plot Point Breakdowns
Screenplay Genre: Comedy / Drama Movie Time: 97 Minutes 1. INCITING INCIDENT While sitting at the lunch table with The Plastics, Cady tells Gretchen and Karen that she has a crush on Aaron Samuels. Much to Cady's disappointment, Gretchen and Karen tell her that Aaron is the ex-boyfriend of the head Plastic, Regina. They tell Cady he is off limits according to the "rules of feminism". (00:14:50)
Copyright © 2012 The Script Lab LLC - Help  |  PR Media Kit  |  Advertise  |   Site Map  |  Jobs at The Script Lab
Terms of Service and Privacy Policy / Safety Information / California Privacy Rights are applicable to you. All rights reserved.