Writers Store

Story Scenarios




Imagine we put a carpenter out in a field with a hammer, some nails, and a bunch of wood. He would most likely build something not half bad. However, what if he had a blueprint to follow? What he builds will be better. Screenplays work with same way. Sure, you can have developed a character and just start writing, but where are you going, what is at stake, what does your character want, what are the obstacles, etc...? You need a plan, a blueprint - an organized story with clear plot pointsAnd sometimes a great story grows out of a standard type of scenario. Obviously, not every story fits neatly into the nine scenarios we feature here; however, this is a great place to start watering the seed of a potential story.

SCENARIO OUTLINES

Objective: Explore a feature film scenario and write a brief outline for a cinematic feature film.

Scenarios: Select one of the nine scenario assignments to develop and write a complete story in three act structure. (Limit the outline to 3 PAGES single spaced.)

Remember: Imagine how these kinds of stories happen, or might happen, in the worlds you know and draw upon those people and situations. Fight the urge - if you get it - to work with material out of your realm: prisoners of war, captains of space ships, etc…

Hints: Write the outline in PRESENT TENSE PROSE - not in screenplay format. Though you aren't writing an actual screenplay, remember that you are describing a story that will be filmed - so think in scenes and use the screenwriter's tools. WRITE SO WE CAN SEE, HEAR, AND FEEL IT. 

So check out our SCENARIO ASSIGNMENTS, they might just be the key you are looking for:

Writers Store

Get Free Screenwriting Tips from TSL

Latest Features

Latest Reviews

Voice-Over: Beware!

Screenwriting Script Tips
“God help you if you use voice-over in your work, my friends. God help you! That’s flaccid, sloppy writing. Any idiot can write voice-over narration to explain the thoughts of a character.” So says screenwriting guru Robert McKee (played by Brian Cox) in Adaptation. I agree… almost. If you’re just starting out, yes: avoid voice-over in all circumstances. You must first learn how to write an effective screenplay without V.O. before you can understand how to use it successfully. Film is a visual medium, and it’s the screenwriter’s job to show the story, not simply tell…

Five Plot Point Breakdowns

The Matrix (1999)

Screenplay Five Plot Point Breakdowns
Screenplay Genre: Action / Adventure / Sci-Fi Movie Time: 136 minutes 1. INCITING INCIDENT In the interrogation room, Agent Smith reminds Neo that he will be found "guilty of virtually every computer crime we have a law for" if Neo doesn't help them capture Morpheus. Neo refuses, demanding his phone call, only to find his lips fused together as the Agents implant a shrimp-like robot probe – a bug – in his stomach. (00:16:47)

Write for the The Script Lab

Want to write for The Script Lab reviewing of discussing TV, Film, Books or Software?. Send a writing sample and what you're interested in covering to writefor@thescriptlab.com

Copyright © 2010-2013 The Script Lab LLC - Help  |  PR Media Kit  |  Advertise  |   Site Map  |  Jobs at The Script Lab
Terms of Service and Privacy Policy / Safety Information / California Privacy Rights are applicable to you. All rights reserved.