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Sequence 6: Main Culmination




So you’re on the last lap of the second act. And now, it’s all or nothing; you must sprint to the finish line. But as you power your way to break the tape of Act Two, there are a few key essentials you must keep in mind.

The sixth sequence centers around yet another obstacle, but this conflict for your main character must be the greatest so far and the script’s climax. The protagonist’s predicament has been building-up to this decisive plot-point moment: the MAIN CULMINATION. It is here where the second act tension is at its highest; the reader’s worst fears are coming true as your hero faces his/her last alternative, and this is the decisive turning point that spins your hero into a new tension in the third act. Remember, this moment is in stark contrast to the resolution. If your protagonist wins in the end, then here must be her lowest point and greatest loss.

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Navigating Obstacles: Plot Point Power

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Now when it comes to steering your screenplay ship, you must know how to navigate the obstacles your character faces between the major plot points, so like any mariner, you need a map. I suggest using the eight-sequence structure as a general guide. Obviously, obstacles and conflict are present in the first act, but your protagonist is not moving forward toward his or her main objective against the current of the second act tension. Simply put, your character is not yet locked in. So the first major obstacle that faces your main character as he or she begins the…

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Unstoppable (2010)

Screenplay Five Plot Point Breakdowns
Screenplay Genre: Action / Thriller Movie Time: 98 minutes 1. INCITING INCIDENT A hostler Dewey (Ethan Suplee) jumps from the slow-moving train to switch the tracks manually, but when he tires to re-board, the train picks up speed, and he fails to get back on. Yardmaster Connie Hooper (Rosario Dawson) is then informed that they have a coaster: the unmanned train is rolling into imposing traffic and the air breaks weren’t tied on. (00:14:37)

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