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Visual Scripts: Show! Don't Tell




Beginning screenwriters often make the mistake of letting characters talk, and talk, and talk... Talking heads might work for the playwright, but it certainly is not good screenwriting. Film is a visual medium. Show the story! Don’t just tell it. 

Action speaks louder than words – always. An excerpt from Shane Black’s screenplay Lethal Weapon illustrates: 

“Riggs straps on his .9 millimeter Beretta. Downs a shot of whiskey. Pauses, looking at a photograph on the wall. Riggs, much younger, along with a pretty and vivacious woman in a wedding gown: his wife. He stares at the photograph. His fingers twirl the whiskey glass with completely unconscious skill. Tense. Tense … twirling the glass … RICHARD DAWSON DRONES from the TV (our survey says -- !). Riggs slings the shot glass. Dead center, SHATTERING the TV SCREEN.”

The scene is quite simple – Riggs inside his trailer, preparing to leave for another day on the job. But the complexities are enormous. We understand the core of his tragic past, and all without a single line of dialogue.

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Exposition needs an Occupation

Screenwriting Script Tips
Exposition is an explanation of necessary information to the understanding of the facts from which the story action departs. Basically, it’s a lot of dialogue (usually a monologue or speech) that explains something we need to know. But the reality is that most real talk doesn’t work this way. We don’t stand up and blah, blah, blah our talking points to shed crystal clear light on an issue or situation. Real talk is disjointed, redundant, and unfocused. Besides, exposition almost always seems forced, unless… the character’s occupation itself requires him or her to…

Five Plot Point Breakdowns

Forrest Gump (1994)

Screenplay Five Plot Point Breakdowns
Screenplay Genre: Drama / Romance Movie Time: 142 minutes 1. INCITING INCIDENT On his first day of school, Forrest (Tom Hanks) enters the school bus, but all the other kids refuse to let him sit down; however, one little girl named Jenny offers the empty seat next to her, and this sets up Forrest's love affair with Jenny (Robin Wright). Forrest explains, "From that day we was always together. Jenny and me was like peas and carrots." (00:12:21)

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