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Screenwriting 101: It's Not Gonzo




There’s a horrible misconception that writers are drunken, chain-smoking, free spirits who use a pharmacy of stimulants to maximize productivity during writing sessions when the muse happens to hit.Not true.

But what about the infamous legend that Jack Kerouac typed On the Road in three weeks on what he called “the scroll”, 120 feet of tracing paper taped together? Okay, so he did write “the scroll” in three weeks, but it took nine more years (and a ton of more work) before the final copy was published.

Unless you’re the next Hunter S. Thomson with a voice for Gonzo journalism and a taste for psychedelics, the hard truth is that good screenwriting is a “nose to the grindstone” occupation. There is no secret pill to take. It’s just a lot of hard work. And if you want to be a serious screenwriter, you must make the commitment. Be disciplined, get organized, prioritize, and above all else, write – everyday! Create a reasonable schedule and stick to it. And always have a plan.

One of the hardest parts is starting fresh each day, but here’s a trick: try stopping in the middle of a scene. It’s a great way to get started the next day.

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It's true. Screenwriting – over all other forms of creative writing – is bound by rules: from format and structure to white space and page count. Screenwriting is visual storytelling, and therefore, the screenwriter must write in present tense: only what the audience can see and hear. The screenwriter must also be clear and concise, yet still creative – both in action description and dialogue. Creative brevity is the screenwriter's steadfast ally and most powerful weapon. The screenwriter doesn't have time to explore the story through long-winded, soul searching…

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