Writers Store

Your Screenplay is Not Your Baby




Never refer to your script as "my baby". If you're guilty of this offense, clearly we know that you're passionate about your story, which is good. But it also makes your ability to be objective with the material suspect. And you must be objective.

Subjective emotional attachments can blind you from the truth of script theme, from solving story problems, or from negotiating character differences – all of which are essential to rewriting your screenplay. And if you're serious about being a writer, you better face up to the fact – if you haven't already – that all writing is rewriting.

As a parent – and I know, I'm a father of three – it can be quite difficult to make the tough decisions when it comes to my own children – because they are quite literally "my babies", and I love them unconditionally. However, unconditional love is biased. My children didn't have to earn my love. It was just handed to them – immediately at birth. Conversely however, you can't love your screenplay just because it exists.

So if you do have an affinity toward your screenplay, it better be because the process of writing the script itself earned that affection. You worked at it every day for 6 months or a year or longer, writing draft after draft and making the hard decisions along the way. You completed something of worth only because you busted your butt. So go ahead; admire the final product. But never go in doting what you have yet to complete. Work hard, be objective, and embrace the end result.

Writers Store

Get Free Screenwriting Tips from TSL

Latest Features

Latest Reviews

Scene Objectives: Dynamic Duo

Screenwriting Script Tips
Scenes can come in all shapes and sizes: a one-sentence establishing, a half-page aftermath, a three-page reversal, the list goes on. And clearly there’s a lot that goes into crafting a great scene: start late; get out early; maintain conflict; keep lines of dialogue brief; keep action paragraphs short; maximize white space; avoid “I” and block pages; incorporate subtext and indirection; create audience connection through suspense, mystery, and revelation; and show the story in a visually interesting way, all while writing with a unique original voice. But that’s all…

Five Plot Point Breakdowns

Script Economy

Screenwriting The Page
Not only do you attack each scene as late as is possible, you attack the entire story the same way.- William Goldman, Adventures in the Screen Trade. Remember, writing a feature film script has a very specific structure, with acts, sequences, plot points, scenes, etc.

Write for the The Script Lab

Want to write for The Script Lab reviewing of discussing TV, Film, Books or Software?. Send a writing sample and what you're interested in covering to writefor@thescriptlab.com

Copyright © 2010-2013 The Script Lab LLC - Help  |  PR Media Kit  |  Advertise  |   Site Map  |  Jobs at The Script Lab
Terms of Service and Privacy Policy / Safety Information / California Privacy Rights are applicable to you. All rights reserved.