Character

For a truly effective screenplay, you must know your characters backwards and forward. The moment you begin to imagine character relationships - how your character deals with his parents, his siblings, his coworkers, and all that - you start to explore the world of your story, and suddenly scenes begin to emerge. 

As you research your character (context, culture, occupation), creating details (attitudes, values, emotions), developing backstory (physiology, sociology, psychology), and establishing personality and behavior, you start putting the character in different situations in your mind, and you begin to imagine him or her in the most mundane and most exciting moments of his life. 

The courage to deal with the trivial and banalities is something you should develop. Because often the best stories are made from the most commonplace material, and if you don’t know how your character cooks dinner, does laundry, brushes his teeth, or what his little vexations are, his petty likes and dislikes, a dynamic, a full story will never happen. 

Frank Daniel, the former chair of the Film Division at Columbia University and past dean of the School of Cinema-Television at USC, echos the point in five simple words: “A story starts with character.”

So if character is the key, and stories are only as good as the characters within them, you better create some damn, fine, outstanding characters. 

The screenwriter should never decide where a character will go next or how a character would react or what a character would say in a given situation. And if you’ve done your homework, really enveloped yourself within the character iceberg, and you know your characters intimately, the rest is easy. The character tells you. All you have to do is listen. 

In this section, not only will you learn how to create memorable characters through research, development, and psychological methodologies, but you will also begin to understand the character hierarchy, the application of major character roles in film, the importance of the most common archetypes that are used, and you learn how to write much better dialogue: show don’t tell. 

Additional Information on Character

Character Creation

Character Hierarchy

Character Roles

Archetypes

Dialogue

Love Hurts: But It's Worth Fighting For

Screenwriting Script Tips
"Adrian!" One word. And you know the scene. Rocky Balboa, bloodied and broken, has just gone the distance with Apollo Creed, the Heavyweight Champion of the World. It's a split decision. And even though Creed retains his belt, Rocky is the ultimate winner. He goes 15 rounds not just for himself and the people of Philadelphia. He does it for Adrian. And still today when someone yells out her name, you know the film. Rocky is legend not because of the fight. It's time-tested because Adrian was someone worth fighting for. The lover, a supporting character, is the hero's…

Harry Potter and the Goblet of Fire (2005)

Screenplay Five Plot Point Breakdowns
Screenplay Genre: Adventure / Family / Fantasy Movie Time: 157 minutes INCITING INCIDENT It is announced that Hogwarts will host the Triwizard Tournament. Three schools will participate and there will be one champion selected from each. Dumbledore (Michael Gambon) explains that each champion will face extremely dangerous tasks, and they must do it alone. (00:16:14)
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