Dialogue: Five Strategies




The beginning screenwriter often uses dialogue as a crutch, thinking it is his best friend. Sure, most characters do have dialogue, but remember that action reveals character. SHOW us the emotion, the situation, the tension, etc. Don’t tell it. 

Characters react to a situation; they don’t just show up and give us a whole bunch of talk. That doesn’t mean that we aren’t blessed with fabulous scribes that deliver memorable, engaging dialogue. Quentin Tarantino, Billy Wilder, Charlie Kaufman all come to mind. And I can’t tell you how many scripts I have read that are full of it, lots and lots of talk. 

So here are five simple strategies to improve your dialogue:

1. Avoid static dialogue scenes.

2. Talk about one thing, mean something else.

3. Argue about one thing, but transfer it to something else.

4. Never repeat yourself.

5. Dialogue doesn’t have to be funny, action is funny.

Sequence 4: The First Culmination

Screenwriting Script Tips
Just when we think the situation can’t get worse, it does. When we’re convinced there’s no possible way our hero can get out of a jam, he gets out, only to end up in a worse jam. Obstacles! These major hurdles are the glue to Act Two. Your character has recovered from the first obstacle, only now to face a higher one. This new obstacle leads to rising action: every move the character makes traps him even more. Be merciless! Really squeeze your character. Make him work hard to reach the first culmination. This is the midpoint of the screenplay and a pivotal plot point,…

Harry Potter and the Goblet of Fire (2005)

Screenplay Five Plot Point Breakdowns
Screenplay Genre: Adventure / Family / Fantasy Movie Time: 157 minutes INCITING INCIDENT It is announced that Hogwarts will host the Triwizard Tournament. Three schools will participate and there will be one champion selected from each. Dumbledore (Michael Gambon) explains that each champion will face extremely dangerous tasks, and they must do it alone. (00:16:14)
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