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Screenwriting 101




Introduction to Screenwriting

Just like every car has four wheels and two axles, each screenplay has the same basic structural parts - the nuts and bolts - to make it work. However, there is a huge difference between a two passenger Smart Car and a ‘64 Cobra 289. Both will get you to your final destination, but the ride will be a completely different experience. 

Screenwriting is like car building. It’s a trade. It uses a very specific format, follows a universal structure, and must meet audience expectations. To do otherwise, is suicide. 

Imagine the automobile industry installing wheels on the roof of cars. Nobody wants to drive upside down. Screenwriting works the same way. There is a blueprint - structured through acts, sequences, and plot points - that almost every movie follows. This is the science of the screenplay, the dramaturgy, but science is only a part of cinematic story telling.

Of course every great screenplay must have a solid structural foundation, but it is also essential to write with an original voice and have a powerful, and hopefully topical, concept with incredibly interesting, flawed, and empathetic characters - and all of this must be in proper screenplay form. 

To think of this formula as a recipe to write your great Hollywood script using structure alone would be shortsighted. Structure without character, character without story, story without voice, and voice without form... it simply doesn’t work. The Formula is only as strong as it’s weakest link, so in order for you to be a successful screenwriter, you must achieve all five parts: CHARACTER, STORY, STRUCTURE, VOICE, and FORM.

The Script Lab's Introduction to Screenwriting provides the essential pieces you need to construct a sellable script, regardless of genre. But it is essential to understand that The Formula is never about being formulaic. There is nothing conventional about creating interesting, believable, and unique characters, nor is there any paint-by-number directions to germinate and develop an original story, and even though three act structure has rules to guide you, it’s all very flexible. Nothing is set in stone. 

So whether this is your first screenplay or you’ve been writing for years, you’ve come the right place. This online version of The Script Lab's Introduction to Screenwriting, was built as completely searchable resource to guide you through journey of building a screenplay from the beginning, or answer specific questions that might pop up during the development process. 

Enjoy, Good Luck, and Get Started

Character

Name That Character: Top Ten Tips

There are a plethora of movie character names that become everlasting brands in American culture: Rocky, Yoda, Forrest Gump, and Shrek to name a few. And when it comes to naming characters, you want to choose wisely, which…

Rivals: Fab Four

Rivals are adversaries. They are supporting characters who dislike the hero, creating minor obstacles, but since they don’t oppose the hero’s objective, they’re not antagonists.

Villains

FEMME FATALE The French translation of Femme Fatale literally means “deadly woman." The Femme Fatale character is seductive, mysterious, and most of all – extremely dangerous. Her greatest power is her ability to entrance…

Story

Polarity

Polarity, or action and reaction, we meet in every part of nature. - Ralph Waldo Emerson In screenwriting, polarity is bliss. Why? Because polarity is mutual opposition, and when opposite elements are forced to interact,…

The World of the Story

Set your story in a small new world. Be specific. Be exact. Take us to a place we've never seen before. Make the audience experience something truly unique and new. Imagine: one story occurs on the city streets of any urban…

Rising Action

From the moment a dramatic situation which contains a grave conflict has been created and has to be resolved one way or the other, the audience begins to guess in what direction the story will develop, accepts the hopes and…

Structure

Eight Scene Questions

A scene is a complete unit in of itself, with a beginning, middle, and end. And a feature is just a whole bunch of scenes put together to tell a larger story. So therefore scenes are the many essential parts put together in…

The Eight Sequences

This Sequence Outline is NOT an absolute formula or perfect recipe to building a feature script, but it is something to work from. Because each script is a prototype: new, unique, custom-made just for its own story.

Scene Questionnaire

The importance of asking questions to develop character and explore story is often quite helpful, but question asking should never be limited to people and plot alone. The scene is just as important and essential to movie…

Screenplay Format

Describe the Shot

The writer is the first director of the script. That is to say that the writer has already seen the movie in his or her mind’s eye, scene by scene, shot by shot. But because the writer has seen the film so vividly, down to…

Script Economy

Not only do you attack each scene as late as is possible, you attack the entire story the same way.- William Goldman, Adventures in the Screen Trade. Remember, writing a feature film script has a very specific structure,…

The Block Page

The “block” page: Another mistake occurs at the opposite end of the spectrum with what is called the “block” page. When a writer fills a page with only visual action paragraphs (usually quite long) and no dialogue, the page…

Screenwriting Features

Top 10 Best Gangster Films

I dunno what it is, exactly, about gangster films being so enjoyable… but they are. Maybe they help us release our inner violent demons, maybe it's…

Top 10 Family Friendly Not-So-Scary Movies

As everyone knows, Halloween is a time to get your freak on, quite literally. After all, it is the one night you can scare the socks off of other…

Hollywood: Confessions of a Personal Assistant

Upon arrival in Hollywood many future writers will find themselves in the role of the personal assistant. This type of job can help you build a…
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Film is Visual: Show, Don't Tell!

Screenwriting Script Tips
The theatre, for the most part, is verbal storytelling; therefore, it’s not uncommon for the playwright to tell the story through talking heads. But film is a visual medium, and the screenwriter must think cinematically. He can't write a bunch of description paragraphs on what a character is thinking. He can only write what we see, because in a movie, it’s usually not what a character says that is the most telling. It’s what the character does that really shows the story. The old cliché is truth: action does speak louder than words. And it’s your job to describe the…

Five Plot Point Breakdowns

Up in the Air (2009)

Screenplay Five Plot Point Breakdowns
Screenplay Genre: Drama / Romance Movie Time: 109 minutes 1. INCITING INCIDENT Ryan Bingham (George Clooney) travels 275 days a year on business. His life is perfectly in order until his boss, Craig Gregory (Jason Bateman), calls and asks him to return home to Omaha at the end of the week for an undisclosed "game changer." (00:10:40)

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