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Apply the Why: Your Story Epoxy




Always ask yourself “The Why”: why does your hero ask to be in the story? Because then you begin to find out why you want to write the whole story, and what the passion of that character is, and why she wants what she wants.

Eventually you reach the moment where you can dream for your character, where you can remember everything that occurred in her past. When that happens, you’re safe because the character finds her way towards the resolution. At this point, the problem is how to hit your character in her most vulnerable spot: put her in the worst predicament imaginable, strengthen that predicament, and increase her desire to achieve her goals. Once you get that, you’ve got a story growing, and when you can see the sequences and the acts, the story begins to unravel, and you finally have a chance to feel at least a little bit secure.

But how do you ask "The Why"? Simple. Use our Character Questionnaire and Story Questionnaire to get you started. 

Multiple Stories in One Script

Screenwriting Script Tips
So, you want to write a screenplay with multiple stories. It definitely can be done and done well. Take the 2006 Best Picture Academy Award winner Crash as an example. However, writing multiple storylines is no easy task, so it's best to stay simple, especially for the beginning writer. Even Crash – with its interweaving stories – is simple in structure. The story is told in chronological order with inter-related characters over a period of over only two days. Writer/Director Paul Haggis doesn't try to cover too many events, too much time, use non-related characters,…

Inception (2010)

Screenplay First Ten Pages
Screenplay by: Christopher Nolan Quite often, the first ten minutes of a screenplay are the slowest, bogged down with so much information that we need to pile through before we get to all the action and the car chases and the explosions. There are exceptions to the rule, like Up, with it’s early tear jerking 4-minute silent-film mini-movie retrospective of Carl and Ellie’s married life, or the opening to Inglorious Basterds with its awesomely sinister table conversation between Col. Hans Landa and Perrier LaPadite. But regardless of movie genre and award-winning…
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