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Creating Characters: Use the Family




My uncle spent two years in a Texas penitentiary for stealing a cab with a butter knife, driving it to a whorehouse, only to get pulled over later for a DUI. When he was in prison and someone asked him what he was in for, he would just say, “I gave crime a bad name.” This is a true story.

The same guy lived in a motel room for twenty years because it had a view, once asked his mother in the middle of Thanksgiving dinner if she arrived on a spaceship, and counseled me on the dangers of drugs, yet had a heart attack – TWICE – from snorting cocaine. I love my uncle, and even when he arrived at his own mother’s funeral in ripped jeans, a flannel shirt and a mini-Igloo cooler filled with Pabst Blue Ribbon beer, I still loved him, because despite all his eccentricities, he has a gentle heart, he’s grizzled yet insecure, and he’s smart. But he's also a dead-beat dad and an alcoholic.

This is a real guy and a tremendous character, one we would love and hate, hope and fear for – no research required. So before you dive into creating characters from thin air, try taking a closer look at your own family. You may discover you already have a diamond in the rough. 

Writer's Letter: Your Secret Weapon

Screenwriting Script Tips
Mirror, mirror on the wall, who’s the smartest of them all? You are. That’s why you’re writing the script – I hope – because you believe in its potential excellence. And in the beginning, this confidence is easy. You have enough passion and excitement to fill the National Mall as you speak from your pulpit at The Lincoln Memorial to rally your inner troops. The problem occurs months later. You battled in the trenches doing story and character research, outlining the screenplay, and now you’re stuck somewhere in the second act. It’s all just a big nightmare mess. Your…

Sunset Boulevard (1950)

Screenplay Five Plot Point Breakdowns
Screenplay Genre: Drama / Film Noir Movie Time: 110 minutes 1. INCITING INCIDENT Attempting to elude creditors, down-on-his-luck Hollywood screenwriter Joe Gillis (William Holden) pulls into the driveway of a decrepit mansion on Sunset Boulevard to stash his car. At first he thinks the place is abandoned, but the owner Norma Desmond (Gloria Swanson), a former matinee star from the silent film era, mistakes him as the undertaker for her dead monkey and summons him inside. (00:13:30)
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