Sort By Alphabet

all - 0 - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 -
A - B - C - D - E - F - G - H - I - J - K - L - M - N - O - P - Q - R - S - T - U - V - W - X - Y - Z -
Writers Store

Know Your Audience or Die!




Speechwriters, reporters, essayists… for them, audience is essential. In fact, all writing should be crafted with the audience in mind. Even Shakespeare wrote to an audience – from the groundlings to the gentlemen – and he used an array of devices to connect and involve that wide audience with his plays.

Rarely does a writer ignore the audience and find sellable success, and this is especially true in screenwriting. It is a business after all, the audience your customer. And you must write for that customer – Always!

It’s helpful to think of screenwriting as a triangle: the writer, the subject, and the audience. No one goes to see a rom-com to be surprised. The audience has an firm expectation that everything works out in the end. The fun is in the journey to that end.

Imagine Shrek or Toy Story without the writers considering both kids and their parents - not the same films. Depending on the genre, sometimes the audience is universal or quite specific, and it’s the screenwriter’s job to make that audience hope, fear, anticipate, and reach conclusions.

When you write with the audience in mind, you’ll find it easier to determine how and when to reveal things, when to cut scenes, how to start late and get out early. But never force-feed. Let the audience add up two plus two. Trust me. They’ll love you for it.



blog comments powered by Disqus
Writers Store

Get Free Screenwriting Tips from TSL

Latest Features

Latest Reviews

Ideas: Your Ace In the Hole

Screenwriting Script Tips
There is nothing more futile than a writer who tries to perfect one screenplay over a lifetime. Because the reality is this: nothing is perfect. Not even close. And here's another thing: the movie business is slow. Projects get tossed around for five, ten, sometimes twenty years before they get the green light. And even then, the chances of a film getting derailed are high. Think of the worst movie you've ever seen in your life. I mean, something that is really, really, really bad. And now take a minute to be amazed – not because a bad film has been made. Be amazed…

Five Plot Point Breakdowns

Camera as Narrator

Screenplay What is a Screenplay?
In a movie, the camera dramatizes the process of viewing the action and bring it on screen, allowing our eyes to see only what and how the “camera narrator” shows it to us. A film is “told”, but the story is shown by a camera narrator. Just like a narrator in literature, the camera can use tow points of view that equal the first and third person. We call them objective (through the eyes of a third person observer) and subjective (through a specific first person character). If the story is told as one character’s story or “subjectively”, the camera plays the role of…

Write for the The Script Lab

Want to write for The Script Lab reviewing of discussing TV, Film, Books or Software?. Send a writing sample and what you're interested in covering to writefor@thescriptlab.com

Copyright © 2010-2013 The Script Lab LLC - Help  |  PR Media Kit  |  Advertise  |   Site Map  |  Jobs at The Script Lab
Terms of Service and Privacy Policy / Safety Information / California Privacy Rights are applicable to you. All rights reserved.