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Writing From Within




I've talked a lot about the importance of writing for the audience; I've even gone so far as to say: "You don't even have to like your own movie as long as your audience does." And even though I know that statement might strike a sour taste in a lot of people, when it comes to making movies, it's the audience that buys the tickets. They are the customers, so we must keep them in mind – always.

However, to expect that we write for the audience first and foremost in every circumstance is premature to say the least. When I wrote my first feature screenplay, I'd be lying if I said I was focused on the mainstream audience. My script was an indie comedy/drama/musical about a struggling gay opera singer who finds acceptance in the last place he expects when he joins a rock-n-roll band. It was never sold, never optioned, but it was a great spec writing sample and got me in more than my fair share of meetings. No one wanted to make the movie because no one could figure out who exactly the audience was or how to market it, but the script did show producers I could write with a voice. And that fact alone opened the doors again for the next script and the next.

Simply put, I learned the craft of screenwriting by listening to my own voice, following my own passions, and writing from within. It wasn't until much later that I took what I had learned and applied it so that I could write for the masses.

The reality is that most screenwriting work in Hollywood is on-assignment, and when you're being paid to write a movie, writing for the audience truly is everything. If it's a personal passion project, however, the audience is still of paramount importance – you want to involve them as much as possible – but now you're writing for yourself, and you don't have to alter things to satisfy executives, producers, the director, or whomever.

So, unless you're getting paid, my advice is to always write what you like – stories that you get a kick out of. Write a movie that you want to watch, one in which you would be first in line to go see. Believe in yourself, have a strong point of view, and always be conscious of your inner voice; some stories just demand to be told.

Screenwriting is a Decathalon

Screenwriting Script Tips
The modern decathlon is a set of ten athletic disciplines, testing an individual's strength, speed, stamina, technique, and endurance. Now when it comes to screenwriting, we certainly aren't sprinting, jumping, or throwing our way to the podium, but it does take a plethora of skill sets to secure success. Strength: Launching a shot put 22 meters is a feat of physical power, but that's only part of the equation. Any athlete will agree that the difference between good on-the-field performers and the truly elite has everything to do with mind over matter. And for the…

The Thing (1982)

Screenplay Five Plot Point Breakdowns
Screenplay Genre: Horror / Mystery / Sci-Fi Movie Time: 109 minutes 1. INCITING INCIDENT After an unexpected Norwegian helicopter shows up at the U.S. base fires shots at the Americans while chasing after their dog, MacReady (Kurt Russell) and Dr. Blair (Wilford Brimley) decide to visit the nearby Norwegian camp to investigate. Once they reach the location, they find a bloodied and empty base. This leads to their discovery of a mangled and distorted clump of flesh that somewhat resembles a body. They transport “The Thing” back to their base for further examination.…
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