Writers Store

The Scene

"The structural unity of the parts is such that, if any one of them is displaced or removed, the whole will be disjointed and disturbed. For a thing whose presence or absence makes no visible difference is not an organic part of the whole." - Aristotle 

A SCENE is a unit of action that takes place in one location at one time. And in a screenplay, a scene must push the story forward and/or reveal character. If it does neither, kill it!

Scene Questionnaire




The importance of asking questions to develop character and explore story is often quite helpful, but question asking should never be limited to people and plot alone. The scene is just as important and essential to movie making. After all, a film is just a bunch of scenes strung together to create a comprehensive whole. The trick is to write scenes that are clear and concise, while still engaging the reader/viewer in a creative way. 

So give it a try; explore these 50 questions and begin writing better scenes by finding answers to these essential scene elements. 

The Big Ones:           

1. What is the purpose of the scene?

 2. Is the scene related to the rest of the story?

3. How does it advance the story?

4. Does it reveal something important about the character?

Read more: Scene Questionnaire

 

Scene: Essential Elements




We can analyze a scene and make sure we are including essential elements by asking a number of questions:
1. Is it clear whose scene it is, and what he or she wants?
2. What is the conflict of the scene? Is it with one or more of the characters, with the circumstances or the surroundings of the scene, or is the conflict within the character?
3. Where and when does the scene take place? Could another time or location serve to heighten the impact?
4. What characters are present at the beginning, which ones enter during the scene, and who is there at the end?
5. Is any new character introduced? If so, does the introduction give the audience a glimpse into the nature of the character and make the character memorable enough?
6. Where were the characters before the scene started, and where are they going after it ends?
7. Has time been eclipsed since the last scene? If so, is it clear to the audience that time has passed and how much time has passed?
8. Do the actions of the characters fit their ‘through lines’?
9. Are the actions of the characters clear and motivated? Do they reveal character and/or move the story forward?
10. Is there any use of dramatic irony?
11. Is there unity of action?
12. Is the scene thematically related to the rest of the story?
13. Are the obstacles difficult enough? Are they too difficult?
14. Are the events plausible? Must disbelief be suspended? Do tese events obey the “rules” of previously suspended disbelief?
15. Does the audience know what might go right or wrong within the sene?
16. Does the dialogue reflect character? Is it natural? Forced?
17. Are the inner lives of the characters revealed through action, dialogue, and reaction?
18. Are any elements of the future used? Should they be used? Does the scene bring the action of the story too much to a standstill? Or does it propel the story forward?
19. Are there visual and audio clues and suggestions?
20. Does the scene belong in the story being told?

We can analyze a scene and make sure we are including essential elements by asking a number of questions:

1. Is it clear whose scene it is, and what he or she wants?

Read more: Scene: Essential Elements

 

Eight Scene Questions




A scene is a complete unit in of itself, with a beginning, middle, and end. And a feature is just a whole bunch of scenes put together to tell a larger story. So therefore scenes are the many essential parts put together in the right way to complete the whole.

Read more: Eight Scene Questions

 

Visuals: Ten Vital Areas




Scenes require visual movement. And scene description should include detailed information concerning one or more of the following areas: 

Read more: Visuals: Ten Vital Areas

 

Types of Scenes




The screenwriter uses lots of different kinds of scenes to accomplish very specific parts of the overall story. Sometimes the main purpose of a particular scene is to establish setting, or deliver exposition, or reveal important information. 

Read more: Types of Scenes

 

More Articles...

Writers Store

Get Free Screenwriting Tips from TSL

Latest Features

Latest Reviews

Sequence 8: Final Resolution

Screenwriting Script Tips
Hell-bent for the end. We’re at the edge, hoping and fearing - if the hero turns left, all is well, but if she turns right, the world as we know it ends. Clarity is key. It’s not that we don’t have complex emotions or ideas about what it all amounts to – what’s the underlying message or theme – but at this point we crave CLARITY. Will he get the girl, defuse the bomb, kill his evil twin, and escape from the sinking boat surrounded by sharks? This is the OBLIGATORY SCENE: the final showdown between good and evil, and the moment we’ve been waiting for, where the hero…

Five Plot Point Breakdowns

Speeches and Monologues

Screenwriting Dialogue
Citizen Kane (1941) - Charles Foster Kane's speech to executives on the Inquirer’s success. Kane (Orson Welles): "Six years ago, I looked at a picture of the world's greatest newspaper men. I felt like a kid in front of a candy store. Well, tonight, six years later, I got my candy -- all of it. Welcome, gentlemen, to the Inquirer! Make up an extra copy of that picture and send it to the Chronicle, will you please? It will make you all happy to learn that our circulation this morning was the greatest in New York, 684,000."

Write for the The Script Lab

Want to write for The Script Lab reviewing of discussing TV, Film, Books or Software?. Send a writing sample and what you're interested in covering to writefor@thescriptlab.com

Copyright © 2010-2013 The Script Lab LLC - Help  |  PR Media Kit  |  Advertise  |   Site Map  |  Jobs at The Script Lab
Terms of Service and Privacy Policy / Safety Information / California Privacy Rights are applicable to you. All rights reserved.