By Cameron Cubbison · February 19, 2015
Acclaimed screenwriter Julian Fellowes found success later in life, carving out his niche in British period dramas for Film and Television. His international hits include Downton Abbey and Gosford Park. (Via)
Fellowes taps into the point that the writer needs to understand how a finished film will come off to audiences. Do you think this is a good perspective to have while you write a screenplay? Should you write with an uncompromising attitude (assuming it goes into production), or should you be open to alterations that veer from the original script?
Cameron Cubbison · February 19, 2015
Cameron Cubbison · February 23, 2015
Eric Owusu · February 20, 2015
Cameron Cubbison · February 19, 2015
Cameron Cubbison · February 16, 2015
