By Britton Perelman This year’s summer selection of new movies at the theaters set a record — and not a…
More of the same, yet different. That’s the hurdle facing screenwriters with sequels. Bring back enough of what audiences liked—the…
Written by: Christopher Osterndorf Fall is here, and in Hollywood, that means one thing: Oscar season. Around this time every year,…
By Shanee Edwards Most of us grew up with the Winnie-the-Pooh books that feature Pooh Bear, Tigger, Piglet, Kanga and…
This weekend marked a significant surprise at the box office with the Blumhouse/Universal co-production Happy Death Day earning $26.5 million…
Chinatown (1974) really should have a silent ‘e’ – “Chinatowne” – because for all the brilliance of its other creators…
There’s no use beating around the bush. The prominence of spec sales in Hollywood has diminished radically over the last…
Set in 1978 small-town Texas, screenwriter R.B. Ripley’s Sugarland tells the story of an unassuming housewife and mother who finds herself laundering…
Script breakdown by Travis Maiuro Written by Mark Heyman and Andres Heinz and Jon McLaughlin; Story by Andres Heinz Black…
Welcome back to The Script Lab’s weekly screenwriting contest roundup – our gathering of all the latest in contest news,…
