Screenplay by: Greg Mottola
It’s the 1980s… It’s summer… And newly college graduate, James, is at a loss when he learns his (generous) graduation gift is no longer: a forty-two day trip around Europe that his parents can’t afford for him anymore. To make matters worse for James, this also means they can’t cover his Manhattan rent once he starts graduate school at Columbia University.
Officially stuck in his hometown, schlepping away instead of having a transformative cultural experience, he’s forced to get a mundane summer job. He finds himself working at the local amusement park Adventureland. And although it’s not what James had in mind… He quickly becomes a part of the Adventureland kinship, assimilating to ongoing ridiculous, romantic, irresponsible yet innocent scenarios… Proving to be a more transformative experience than he could have anticipated.
Establishing tone and/or genre:
Adventureland’s tone is extremely attractive in nostalgia, while managing to not be too much of one thing. A dry, witty, tender comedy that unveils dramatic undertones and relatable conflict… And how that’s set up consistently carries through the story. The comedy is obvious, while managing to be subtle, which is how Adventureland’s tone assists in creating a story that translates as particularly genuine.
THE SOUND FADES IN SLOWLY
Shouted, drunken conversation competes with a stereo blasting
“Bastards of Young” by The Replacements. A couple wear
a pretty young woman, ARLENE. She’s avoiding James’s gaze.
They’re in a lived-in off-campus house. They hold cocktails in plastic cups. He leans in close.
Hey, you want to get out of here–
(hasn’t heard him)
What a rager, huh?
Isn’t it weird? That this all…this
happened right at the end of the
semester? You and…me.
She finally looks at him.
And we’ll both be in Manhattan come
I’m really…fond of you.
I don’t think I can see you anymore.
You don’t…? What do you…?
She signs heavily and looks away. James watches her, waiting
for more of an explanation. Instead:
She walks away.
Introducing the main characters:
The first ten pages focus on setting up the protagonist, James. An intelligent, anxiety induced and semi-delusional young man who displays the perfect amount of ignorant privilege that’s often found at the ripe age of one’s early 20s. Keeping the attention on James during this time is pivotal, as it makes his development later on – which results in positives, negatives, comes full circle – more apparent.
What are we talking about?
Um, my Europe trip? So my original
estimate for the whole trip was 1,568
dollars. But I’ve researched more youth
hostels and the median cost is a bit
higher than I thought, by seven dollars
and sixty-eight cents, multiplied by
forty-two days is $322.56. But the good
news is I still qualify for a student
eurail pass, which saves us $143.45. But
I also think my emergency fund is
unrealistic at $100, I should make it
$150. So, with the 768 dollars I have
from grandma’s trust fund, plus the 800
you guys are already giving me, I will
need another 229 dollars and eleven
cents. It makes the total for you guys
1,029 dollars and eleven cents.
One-thousand and twenty-nine dollars.
And eleven cents.
Silence. James’s parents exchange a look.
James, your father has been transferred
to a different department.
Really? That’s great–
It’s not a better department. We’ll be
making less money. Considerably less.
It’s not a big deal, they just, they
reorganized a bit. It’s temporary.
We hope. I’m sorry, honey, I know we
said we thought we could help with your
trip. We can’t.
But it’s my graduation present.
I know, but we don’t have it. We can’t
spare a penny for Europe. And we can’t
spare a penny for grad school, either.
What? You were going to help me with rent?
James, we cancelled our week in Montauk.
We can barely make the house payments.
We’re clipping coupons.
What am I gonna do?
If you decide you really want to go to
graduate school, you’ll commute from here.
But…Eric and I are getting an apartment
If you want to eventually move into the
city, you better get a job.
A summer job?
Crafting the world of the story:
Mottola fully captures that gut stricken feeling when one shuffles their way back to their hometown… Whether meant for a quick visit, realizing you need to crash in your parent’s basement for… ev… er or, like James, discovering that your Europe trip pre-graduate school is now a long lost dream.
As James absorbs his summer’s new reality, he is immediately thrown back in time… Being ordered around by his parents. Feeling small. Familiar faces. Childhood pranks. Then, having to succumb to a summer job and the wide range of adventures that follow… It’s like being fifteen all over again.
INT. RESTAURANT – DAY
James, dorky in a button-down shirt and knit tie, stands in
front of a RESTAURANT MANAGER, handing him documents.
I really haven’t had many jobs, per se…
But here’s my academic record and my
extracurricular activates. I wrote for
the literary journal, ‘The Gordian Knot’.
And in high school, I got a 750 on the
math SATs, so I’d be good at tabulating
These are the only jobs you’ve had?
I also used to rake leaves for some
Neighbors, the Palmieri’s. I have their
letter of recommendation–
Fill this out. I’ll call you if anything
EXT. BRENNAN HOUSE – DAY
James is mowing his parents’ lawn, a look of self-pity on his
Tommy Frigo comes tearing down the street on his ten-speed.
He rolls up on the lawn, jumps off the bike and sprints at
James, a crazed look in his eyes.
Frigo throws a punch at James’s groin. James manages to
partially deflect the blow.
Frigo! Quit it!
The two young men start swinging wildly at each other.
Watch out, the lawn mower!
James turns for a second. Frigo wallops him directly in the
privates. James falls to the lawn, moaning.
I’m going to fucking kill you, Frigo…
Frigo hops back on his bike.
Ha-hah, Brennan! Don’t choke on your own
Frigo pedals away, cackling manically. We see that he’s
once again wearing his orange ‘Adventureland’ shirt.
Establishing theme and/or the message:
Numerous themes can be easily pulled from Adventureland, but one that is seamlessly executed is self-discovery… How adapting to change often leads to the next development in ones’ life. James’ character is all too relatable – graduating college with an idealistic plan, some kind of certainty… It’s adulthood, after all, right? Then, seeing how reality shifts and how characters have to shift with it. It resonates a common, and likely necessary, struggle endured by many in their 20s and easily beyond.
Setting up the dramatic situation:
Although a major dramatic situation is stealthily introduced beyond page ten, while still being in the first act, the initial and primary conflict for James is brought upon within the story’s opening set up… The fact he has to readjust and acclimate, and to do so at the only place that’ll have him: Adventureland.
INT. KITCHEN, BRENNAN HOUSE – DAY
Mrs. Brennan reads a library copy of a biography of Pope John
Paul II. James sits across from her, hunched over the
classifieds section, grunting as he reads.
What can I get?! I’m not even qualified
for manual labor.
(reading down column)
septic waste removal –– they won’t even
hire me. The only place I know I can get
a job is where Frigo’s working.
Adventureland? You can do better. You
Have to try harder.
I’m ‘O’ for twenty-two. I majored in
comparative literature and Renaissance
studies. Unless someone needs help
restoring a fresco, I’m screwed!
EXT. SUBURBAN BOULEVARD – DAY
TRACK WITH James on his bicycle, pedaling along with morning
EXT. PARKING LOT, ADVENTURELAND – CONTINUOUS
James rolls into a large parking lot, passing under an arched
sign that reads “ADVENTURELAND”.
The additional dramatic situations soon to follow cater toward James maturing in various ways, even if that means he made mistakes to get there. An instrumental conflict that persuades this is the fact that he falls for an employee (Em), only to unearth that she’s been having an affair with the wannabe rock star maintenance worker of Adventureland. In the end, though, James is able to gain new perspectives, sticks up for what’s right, and realizes he’ll be okay figuring it out on his own… Earning a badge of independence.
Danielle Karagannis is a writer/director. She currently has a feature script entitled INSOMNIA (ensemble comedy) that’s been accepted into filmmaker labs and is taking her to the 2018 Berlinale / EFM. You can watch Danielle‘s latest film, GIRL (short), here: http://www.daniellekaragannis.