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WeScreenplay

HOLLYWOOD’S #1 SCRIPT COVERAGE SERVICE NOW ON THE SCRIPT LAB. Get high-quality notes from legit pro readers with super fast turnaround and really cheap prices all right here on The Script Lab, brought to you by WeScreenplay.

Starting at $59.99

Feature

You love movies. We love movies. If you’re looking for professional feedback specific to your next feature script, you’ve come to the right place! Our readers have experience working for studios, agencies, and feature film production companies — they’re excited to share their expertise!

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Starting at $49.99

Television

Writing a pilot is the first step toward creating a great show. Whether it’s an original pilot or a spec of an existing show, make sure your script stands out with our TV script coverage! Our readers have worked for networks, streamers, and agencies — they know television and are here to help.

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Starting at $39.99

Shorts

Short scripts are a fantastic way to get your screenwriting feet wet, try a new genre, hone your craft, and get noticed. Put your best short script foot forward by getting notes from our professional readers who have produced short content and are passionate about short form storytelling.

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Only $59.99

Treatment

Treatment/pitch coverage is a written evaluation of a film, tv or short script. It provides feedback on its viability, marketability, and creative aspects. Coverage reports guide industry professionals in deciding which projects to pursue and help writers improve their work.

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Free First Impression

Get a free First Impression on your script

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Coverage Testimonials

"I recently got coverage back from a reader at WeScreenplay and it was just what I was looking for. The critique was uncannily spot-on and I was able to make some great changes based on the comments provided. For an aspiring screenwriter, this is the best kind of feedback I could possibly get."

Wr Mercer

"WeScreenplay is my go-to for script coverage. They have some of the most affordable coverage and I've always benefited from the feedback I've gotten. The return is super fast compared to others I've gotten. I definitely recommend it."

Michelle Marie Wilcox

"I received notes on my last two screenplays through these folks. I must say, they were extremely valuable, well thought out, and gave constructive insight for how to make my story and characters stronger/compelling. As a newer screenwriter with no experience or formal lessons, I find constructive criticism with great suggestions a powerful tool to help improve my writing and lead me on a path toward success."

Richard J. O'Brien

Frequently Asked Questions

Who is my reader?

All WeScreenplay readers have relevant industry experience – this means they’ve worked in a reading capacity for an agency, studio, management company, or production company. Nearly all of our readers are still working these jobs and read additional scripts on nights and weekends. When you get your coverage back, you’ll receive a brief bio about your specific reader.

Can I request a reader who specializes in a certain genre?

The short answer is no. Here’s why. Our readers are experienced in reading for character, story, voice, and originality. These are the elements of screenwriting that transcend genre. When a reader is reading for an agency, studio, or management company, they’re reading all genres and just looking for the best writing. We believe that is the best process to mirror.

With that said, WeScreenplay is a little bit different in that our readers are able to pick the scripts they want to cover, rather than the scripts being randomly assigned to them. So readers may choose scripts in a genre they enjoy or with a logline that intrigues them. This ensures a reader is always reading what they want to read and when they want to be reading.

Are my scripts and ideas safe?

Absolutely. We keep a record of any reader who reads your work and all of our readers sign a release statement for the work they’re reading.

What if I don’t like my coverage?

If the coverage you receive ever does not meet our expectations for WeScreenplay’s offerings, we will give you a completely new reader and new read. We’ve built our brand on constructive, actionable feedback and want to ensure all writers feel they have benefitted from WeScreenplay’s notes. Understand that feedback you don’t agree with is not necessarily bad feedback. Often times the harshest notes are the ones that improve the script the most. However, we promise to work with any writer not pleased with the coverage provided.

I want to resubmit my script, but I want a new reader. Can I request that?

Your script is automatically given to a fresh reader each time you submit unless you request a specific reader.

How do I request a reader who I liked from the past?

You can choose a reader on step 3 of the checkout process by their analyst ID (shown at the top of every coverage). Note — there is an additional 25% fee and an additional 48 hours added to the estimated turnaround time when you request a reader.

What should I expect if I add a synopsis to my coverage?

If you decide to add a synopsis to your feedback, you should expect up to one page of synopsis describing the plot beats of your story. Please note — not every element of the script will be included and if a plot point is missed it is either that the reader determined it not critical to the synopsis or unclear. In fact, missing or confused plot points are the best way to use a synopsis: to understand what may be unclear in your story. This synopsis is not intended to be used as a pitching document, it is just for your understanding of how the script was interpreted.

The Marketing One-Sheet package option is also a synopsis — but this is a professional synopsis that can be used for pitching or in a story document. Here, the reader will match the tone of your story and try to hit on the most relevant and exciting points of your story. It is much more polished than the synopses included in coverage and is designed to help you create a pitch for your work.

What do each of the scoring categories mean?

Overall Impression – A general feeling of your script, writing, and story. Is it professional? Easy to read? Do the characters and story elicit emotion in the reader?

Plot – Scene structure, conflict, tension, logic, and flow will all be taken into account.

Character – Complexity, uniqueness, and arc are the key components. Do the characters feel real, do their emotions feel honest, and are they different from one another?

Concept – It should be strong enough to carry the story, but doesn’t need to be marketable. It is ideal if there is a unique element in the concept that audiences haven’t quite seen before.

Structure – The overall story is built in a way that is connective and logical. The story should build emotionally, and the plot should ebb and flow.

Dialogue – The characters speak in a realistic, unique, and interesting ways. There is a subtext in the conversations between characters. The dialogue reflects the tone and emotion of the scenes.

I received two reads and the qualitative scores changed. Why did that happen?

Most importantly, the scorecard is a general tool used to illustrate how various craft elements are working in relationship to each other in the view of the reader. It’s an introductory metric, not the focal point. What matters is the written feedback itself. Are there commonalities in the comments? Do multiple readers get tripped up on the same things? Are there parts both readers agree on?

It’s your challenge as a writer to try to synthesize all of the feedback and look for commonalities in terms of elements that need to be tweaked, and to make those tweaks. You’re not required to agree with any or all of the notes from a reader; it’s simply analysis intended to help you strengthen the script.

What do the inline pdf notes in the Comprehensive Coverage entail? Will they catch grammar and spelling?

This is not a full proofread, but the reader may point out typos or spelling errors. The real point of the inline notes is to focus on specific storytelling issues. For example, a reader may point out that a line of dialogue feels inconsistent with the character’s voice or may suggest two scenes can be combined. These notes are story-focused first with some spelling/grammar issues second. If you really just want a proofread, we offer proofreading services.

Does the 72 hour turnaround time include weekends?

Yes. You will get your coverage back within 3 days unless it is a major holiday. While over 95% of our coverages are returned on time, please understand that issues occasionally arise with readers. We ask our readers to prioritize quality over speed, so every once in a while a coverage may be slightly delayed.

If you absolutely cannot have a delay, we recommend our rush coverage option which will have your coverage returned within 24 hours, guaranteed.

Do you provide script “coverage”, or script “notes”?

That’s a great question. Actually, in a traditional sense, the term “coverage” refers to a report typically written by a script analyst at a studio or production company intended for their boss’s consideration, not for the writer. What you receive from WeScreenplay, therefore, is what would be better described as “notes”. That is, the feedback is intended for use by the writer to improve the script, not for a third party who just wants to know if the script is worth being considered.

We call what we provide “Script Coverage”, but if you’re being pedantic, it’s better to think of what we provide as “Script Notes”.

Still have questions? Contact our support team at support@thescriptlab.com.

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First Impression by WeScreenplay

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