
*Cue catchy theme music* Just because it’s a show about an unusual couple, doesn’t mean writers can’t learn a whole…
*Cue catchy theme music* Just because it’s a show about an unusual couple, doesn’t mean writers can’t learn a whole…
If you love writing romance, TV might be more up your alley. First comes love, then comes marriage… then comes…
There’s no other way to say it… writing dialogue is hard. Capturing the way people really talk to each other…
Dramedy. The one movie genre that’s like peanut butter and jelly. Mac & cheese. Popcorn and a giant Slushie at…
When it comes to Nora Ephron, we all want what she’s having. Ephron’s writing always crackled with wit, humor, and…
One of the best ways to learn how to write a great TV Pilot is to read and analyze successful…
The television landscape is full of antiheroes – lead characters with questionable morals, dark secrets, regrettable pasts, and bad judgement…
You’ve more than likely seen a movie that Scott Neustadter wrote. “500 Days of Summer?” That was one of his…
The phrase “three-act structure” often puts a bad taste in storytellers’ mouths. Through the years, whether because of general overuse…
Theme is tricky. Just when we think we’ve caught it and wrangled it into submission in our scripts, it wriggles…