Jun 04 Love4 TULLY and the Power of Perspective By Britton Perelman Main, Screenwriting 101 Perspective isn’t something normally discussed in relation to movies. Those conversations are usually dominated by talk of plot, production design,…Read More
Jun 01 Love4 22 Movies to Look Forward to in 2018 that Don’t Involve Superheroes By Britton Perelman Main, Screenwriting 101 If you’re anything like me, the constant and seemingly endless stream of superhero movies doesn’t exhilarate you… it exhausts you. …Read More
May 08 Love4 The Key to a Series of Unfortunate Adaptations By Britton Perelman Main, Screenwriting 101 Look away, look away. This article will wreck your evening, your whole life, and your day; every single word is…Read More
May 07 Love5 The Top 12 Dramedies from the Past 12 Years By Britton Perelman Main, Screenwriting 101 Peanut butter and jelly. Bogart and Bacall. Los Angeles and movies. Comedy and drama. Some things are just meant to…Read More
Feb 23 Love4 5 Lessons from the Best Screenwriters of the Year By Britton Perelman Main, Screenwriting 101 A group of screenwriters walk into a bar—er, sold-out event—in Los Angeles to discuss their craft… and screenwriters everywhere gain…Read More
Feb 12 Love5 Finding Joy in the Greatest Show By Britton Perelman Main, Movie Reviews, Screenwriting 101 The Greatest Showman wasn’t the best movie of the year. It doesn’t have the depth of Three Billboards, the tenacity…Read More
Feb 09 Love2 Why the Ambiguous Ending of THREE BILLBOARDS Works By Britton Perelman Screenwriting 101 Scores of films have ambiguous endings. American Psycho, Shutter Island, The Graduate, Inception, Birdman, Black Swan, Donnie Darko, even this…Read More