Mar 05 Love0 Story Plot Points: Twists and Turns By V. Prasad Screenwriting 101 If you’ve studied screenwriting even a little, you know that writers generally talk about stories as having three Acts with…Read More
Oct 19 Love0 Creating Complex Characters: Inner Conflict By V. Prasad Screenwriting 101 There are two questions that speak to who a character is at their core: 1. What do they want? 2.…Read More
Sep 22 Love3 Creating Complex Characters: Contradiction By V. Prasad Screenwriting 101 The following excerpt is from Taxi Driver, written by Paul Shrader BETSY: You know what you remind me of? TRAVIS:…Read More
Sep 07 Love0 The Secret to Rising Conflict By V. Prasad Screenwriting 101 “Your screenplay needs more conflict.” Heard that one before? Okay, sometimes that’s what people say when they can’t think of…Read More
Aug 22 Love0 Great Protagonists: Ultimate Underdogs By V. Prasad Screenwriting 101 Your main character can be anybody: man, woman, child, animal, robot, even a vehicle (Cars). As long as he/she has…Read More
Aug 08 Love0 Exposition: The Need, The Conflict, The Want By V. Prasad Screenwriting 101 Exposition refers to that information you need the audience to know in order to understand and fully experience your story.…Read More
Jul 25 Love0 Your Character’s Goal: Raise the Stakes By V. Prasad Screenwriting 101 You have a character. That character has a goal. And there are obstacles to achieving that goal. That’s all you…Read More
Jul 11 Love0 Creating Your Cast of Characters By V. Prasad Screenwriting 101 Ideally, every scene in your screenplay will have conflict. The best way to ensure this is to have a cast…Read More
Jun 27 Love0 The Act Three Crises: Want or Need By V. Prasad Screenwriting 101 Character and story are the chicken and egg of screenwriting. Do you start by figuring out your characters and letting…Read More
Jun 15 Love0 How to Make Great Story Goals By V. Prasad Screenwriting 101 If you’ve ever found yourself on the edge of your seat at the end of a football game, you’d know…Read More