By Britton Perelman Characters must be three-dimensional. We hear this phrase all the time, yet there’s never a corresponding…
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We’re only just past the halfway mark for the year, and already we’ve seen a number of flicks guaranteed to…
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By: Terri Emerson Shonda Rhimes never doubted that she could be successful at whatever she wanted to do with her life.…
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Listening to David Mamet teach dramatic writing is like hearing a raconteur spin tales and tell jokes with middle-class Chicago swagger and the…
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A strong antagonist is a lynchpin to any story, but superheroes especially need to face a good foil in order…
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Welcome back to The Script Lab’s weekly screenwriting contest roundup – our gathering of all the latest in contest news,…
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Screenplay by: Wes Anderson, Owen Wilson Breakdown by: Megan Tambio Wes Anderson’s seminal Rushmore centers around a high end, all…
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By: Steffanie Moyers 30 Degrees in February is many things – a show about travel, happiness, escape, family, healing. It ranges…
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By Britton Perelman I’ll admit, I was one of the doubters at first. There was nothing missing from my cinematic…
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The archetype of the morally ambiguous getaway driver driven to care about something besides crime gets a fresh spin in Baby…
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