By Britton Perelman After a Tuesday night showing of the semi-autobiographical movie about their lives, Kumail Nanjiani and Emily V….
By: Shanee Edwards Honest, raw and funny, Lady Bird is a coming of age story about a high school senior,…
Welcome back to The Script Lab’s weekly screenwriting contest roundup – our gathering of all the latest in contest news,…
By: Matt van Onselen Ah, rewrites. You’ve sweated bullets every day for months. You’ve had to dig deep into your soul on…
Slamdance has announced their Beyond and Shorts program lineups for their 24th edition. This year, several Slamdance Alumni return with…
By Britton Perelman Spoilers ahead. Binge “The Good Place” before reading! There’s so much that’s good about “the Good Place.”…
Works selected across the new Indie Episodic, Shorts and Special Events sections of the 2018 Sundance Film Festival were announced…
By: Britton Perelman If you’d rather not have the latest adaptation of “Murder on the Orient Express” ruined, we suggest…
By Tom Dever Independent filmmaker Andrew Kightlinger is no stranger to success. From winning the Grand Prize at the 2016 Slamdance…
By: Andrew L. Schwartz Brooklyn based filmmakers, Dan Berk and Robert Olsen (Last Pictures), have had a meteoric rise and…
