Feb 22 Love4 Woke Lib White Boy Part 1 By Tom Dever Entertainment, Main, Movie Reviews, Screenwriting 101, Woke Lib White Boy With the Academy Awards less than two weeks away, nine films hope to cement their legacy with what is still…Read More
Feb 20 Love5 Box Office Recap — February 20, 2018 By Tom Dever Box Office Recap, Filmmaking, Screenwriting 101 Ho. Ly. S***. You knew Black Panther was going to be a hit. You'd heard people talking about it for weeks. Early…Read More
Feb 19 Love4 The #1 Way To Give Your Characters A “Voice” By Alex Bloom Main, Screenwriting 101 What’s really meant by the ubiquitous advice to “give each character a voice” when it comes to screenplay dialogue? Here’s…Read More
Feb 19 Love2 The Weird Side of Sundance: Writing Midnight Movies By Ben Larned Main, Screenwriting 101, Sundance As sales and Oscar buzz filled the frigid air of Park City, conversations tended to overlook the more unusual sections…Read More
Feb 18 Love5 From Script to Screen: Crash By Jeff Legge Filmmaking, Screenwriting 101, Script to Screen Crash is that rare breed of film that has actually had its legacy tarnished by an overabundance of praise. I'm…Read More
Feb 15 Love8 5 Ways BLACK PANTHER Sets the Bar (Spoiler Free!) By Natasha Guimond Movie Reviews, Screenwriting 101 Black Panther played at the Arclight in Hollywood this past Tuesday night and I was lucky enough to see it.…Read More
Feb 14 Love4 Box Office Recap — February 14, 2018 By Tom Dever Box Office Recap, Filmmaking, Screenwriting 101 Don't miss the climax! 😂 In lieu of analysis on how the Fifty Shades trilogy has managed to print money for…Read More
Feb 13 Love3 Three Billboards Outside Ebbing, Missouri: An Unintentional Western? By Shanee Edwards Movie Reviews, Screenwriting 101, Uncategorized You may know Martin McDonagh’s previous films Seven Psychopaths or In Bruges. Both are far from typical Hollywood fare, as…Read More
Feb 12 Love5 Finding Joy in the Greatest Show By Britton Perelman Main, Movie Reviews, Screenwriting 101 The Greatest Showman wasn’t the best movie of the year. It doesn’t have the depth of Three Billboards, the tenacity…Read More
Feb 12 Love1 What The Last Jedi and The Commuter Teach Screenwriters about Timing By Valerie Kalfrin Filmmaking, Screenwriting 101 A ticking clock element, or any deadline in your story, is guaranteed to boost suspense and momentum—or so you’d think.…Read More