Jul 27 Love11 13 TV Writers’ Room Terms You Should Know By Christopher Osterndorf Entertainment, Main, Screenwriting 101 Screenwriting is unique among all kinds of writing, because there’s a very particular set of terminology that goes with it.…Read More
Jul 26 Love4 3 Ways Marvel Continues to Create Relatable Villains By Valerie Kalfrin Main, Screenwriting 101 Ant-Man and the Wasp adds another memorable adversary to Marvel’s gallery with Ghost, a woman who can phase through solid…Read More
Jul 23 Love27 21 Elements Your Screenplays Should NOT Have By Ken Miyamoto from ScreenCraft Features, Screenwriting 101 Screenwriters get plenty of advice on what their screenplays do need, but let's save you even more time by sharing…Read More
Jul 21 Love4 The Great Screenwriters: Part 21 – Marshall Brickman By Martin Keady Main, Screenwriting 101, The Great Television Writers There are great screenwriters and then there are great co-screenwriters. Like Charles Brackett and I.A.L. Diamond (Billy Wilder’s two great…Read More
Jul 16 Love9 Interview with SKYSCRAPER Writer/Director Rawson Marshall Thurber: How to Structure Your Script with Set Pieces By Shanee Edwards Interview, Screenwriting 101 The new action/thriller Skyscraper is one giant adrenaline rush. Writer/director Rawson Marshall Thurber shared with us the clever way he…Read More
Jul 12 Love6 Top 10 Meet Cutes By Shanee Edwards Screenwriting 101, Top 10 Lists If you’ve ever written a romantic comedy, it’s likely you spent weeks coming up with the perfect, embarrassing and hopefully…Read More
Jul 12 Love3 Introducing coverflyX: Free Peer-to-Peer Screenplay Feedback By Admin Blogs In case you missed it, The Script Lab team has been hard at work on a new service called Coverfly,…Read More
Jul 10 Love13 First Ten Pages: Zombieland (2009) By Danielle Karagannis First Ten Pages, Screenwriting 101 Screenplay by: Rhett Reese, Paul Wernick Zomebieland, one of the most universally loved zombie flicks for countless reasons. Perhaps due…Read More
Jul 09 Love13 The Secret to Understanding What High Concept Means in Hollywood By Ken Miyamoto from ScreenCraft Features, Screenwriting 101 Do you know the secret to writing those industry-coveted "High Concept" screenplays and loglines that managers, agents, development executives, and…Read More
Jul 02 Love8 How to Nail the Superhero Sequel Structure By Shaun Leonard Main, Screenwriting 101, Script Tips The Difficult Second Album. The Sophomore Slump. The Terrible Twos. And finally, the Superhero Sequel. In this article, we’re looking…Read More