Nov 26 Love7 7 Lessons about Being Creative from Ed Catmull By Britton Perelman Main, Screenwriting 101 Ed Catmull, the co-founder of Pixar Animation Studio and president of Pixar and Disney Animation, has been around creative people…Read More
Nov 26 Love7 How to Write about Sex and the Internet in 2018: An Interview with CAM Filmmakers Isa Mazzei and Daniel Goldhaber By Ben Larned Main, Podcast, Screenwriting 101 While 2017 was the year of “prestige” horror, 2018 has been full of tension between old tropes and fresh voices.…Read More
Nov 20 Love11 How to Know if Your Story Idea is a Movie or TV Show By Britton Perelman Main, Screenwriting 101 Maybe it came to you in the shower, or on a train, or while you were trying to fall asleep…Read More
Nov 19 Love7 Beneficial Anxiety with Elsie Fisher & Molly Ringwald By Ben Larned A24, Main, Podcast, Screenwriting 101 Why do we watch coming of age films? Why do we willingly put ourselves in the place of a teenager,…Read More
Nov 16 Love13 Hollywood Screenwriters Remember William Goldman By Natasha Guimond Interview, Screenwriting 101 William Goldman was an American novelist, playwright, and screenwriter. He won Academy Awards for his screenplays Butch Cassidy and the…Read More
Nov 15 Love4 The Great Television Writers: Part 9 – Graham Linehan By Martin Keady Main, Screenwriting 101, The Great Television Writers Graham Linehan is one of the greatest TV comedy writers of the last thirty years, who has created or co-created…Read More
Nov 15 Love7 5 Most Important Goals for Your Polish Rewrite By Ken Miyamoto from ScreenCraft Features, Screenwriting 101 What are the most important tasks you have to undertake while working on that final polish rewrite draft of your…Read More
Nov 12 Love11 Interview with TV Comedy Writer F.J. Pratt By Natasha Guimond Interview, Screenwriting 101 F.J. Pratt has been a TV comedy writer for over 20 years. He has produced and written over three hundred…Read More
Nov 12 Love4 3 Types of TV Pilots Writers Need to Choose From By Ken Miyamoto from ScreenCraft Features, Screenwriting 101 Beyond the formatting aspects of one-hour drama scripts, single-camera sitcoms, or multi-camera sitcoms, there are three specific types of TV…Read More
Nov 09 Love17 4 Reasons Why Subtext is Important in Screenwriting By Valerie Kalfrin Filmmaking, Screenwriting 101 People often imagine subtext like an iceberg: We might see a bit of the story up-front, but there’s a whole…Read More